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Tuesday, March 31, 2020

Emilie Nicolas

Record of the Day - weekly magazine
26 March 2020
Issue 868

Record of the Week

Who's Gonna Love You
Emilie Nicolas
Mouchiouse Music
Out now
click to listen, read and for contacts
It’s been a while, over six years in fact, since we featured the gorgeous sounds of Norwegian singer Emilie Nicolas here on RotD and were wowed by her performance at the Great Escape that year. Having released two albums in that time, with her last back in 2018, she is now back with this slick and up tempo number from her as-yet-untitled third album. It’s packed full of energy, wrapped up in a gossamer web of suave electronic pop elements, R&B beats and a touch of Latin flair spliced with afro-beat goodness. In all, it’s just perfect. The Line of Best Fit and Clash are already big fans of the biting lyricism and sound, while Spotify Norway is heavily supporting on editorial playlists too, so expect more to follow soon from other tastemakers. This is honest and reflective pop, doused in Scandinavian cool and a hefty punch of va va voom from the talented artist. And, yes we are still smitten like we were back in 2014.  
As everyone is forced into this new-normal way of home-based working across our industry for the foreseeable future, it has been interesting this week to see and note how some of our listening and viewing habits have changed in just a short space of time. Since we can’t go out in the evenings, it’s been a key factor in terrestrial TV reaching some stellar overnight figures for many primetime shows. Ant & Dec’s Saturday Night Takeaway last weekend delivered its highest-ever rating, with 13 million+ at peak, and we noted that Olly Murs 2011 hit Dance With Me Tonight has had a huge upswing in streaming plays over the past five days after being featured as the closing performance on the programme, when it was backed with a video montage of thousands of people all dancing and lip-syncing to the tune.

We seem to be gravitating more towards upbeat, positive, familiar, feel-good songs at this time of uncertainty and fear, which is totally understandable of course. But we’ve read conflicting stories on whether or not streaming numbers are actually up or down during the coronavirus crisis. We dig more into those stats over the coming weeks to see if it’s a long term trend. Anecdotally, many are saying that podcast consumption is noticeably down, possibly due to fewer weekday work commutes where much of that listening often takes place. One thing of note though is that the arrival of the new album by The Weeknd last Friday certainly didn’t quite set streaming services alight in the way many might have expected it to. Yes, there’s been a major upswing in plays for his no.1 song Blinding Lights, (interestingly too, it looks like he’s about to hit ACR mode on that track) but we’re not going to see two of the other songs from the album high on this weekend’s Top 10 singles chart. Which is a bit of a surprise. Expect total sales for After Hours to be somewhere between about 22-25k, which is a good result considering most retail outlets are closed indefinitely. However, the rush-release of the Dua Lipa album Future Nostalgia this Friday will almost certainly have even more of an impact. After all, she currently has two big songs already inside the Top 10 with Physical and Don’t Start Now, so adding a third (namely Break My Heart , which received its video premiere online on Wednesday evening) isn’t going to be that much of a stretch. The album’s already had its first glowing five-star review from Rhian Daly at NME.com , describing it as ‘powerful pop perfection for a star unafraid to speak her mind’.
Dare we mention Dance Monkey again? It’s climbing once more on midweeks stats and could be back in the Top 15 tomorrow, 34 weeks after it first charted in the lower end of the Top 100. If it weren’t on ACR right now, it’d still be Top 3.

The timing of Radio 2’s big 90s Day last Friday couldn’t have been more perfect. Although it was all planned weeks ago when Covid-19 meant almost nothing to the public at large, it proved to be exactly the kind of nostalgic programming that reflected what so many listeners wanted that day. Primarily it was intended as a launch of the station’s new Sounds Of The 90s weekly show with Fearne Cotton, but it unwittingly became something even bigger last weekend as we headed into lockdown mode. And there’s no question that it’ll have helped bring in a younger under-35-45 female focused demographic to the network, which will stand it in good stead for years to come.

At one point last Saturday afternoon, following the news of his death at the age of 81, country music legend Kenny Rogers had five songs inside the UK iTunes Top 20. Now, everyone seems to be moving away from individual track purchases and heading instead towards his All The Hits & All New Love Songs collection, which will land strongly inside the Top 10 on the album chart tomorrow with its sales this week being 100% digital, something that normally only happens these days when a US rapper drops their latest piece of work, like Childish Gambino this week, for instance. And as ever, you can always rely on BBC 5 Live’s Entertainment correspondent to find a unique twist on any showbiz story. Kenny’s passing saw him dig out this audio interview from Glastonbury 2013 where he revealed that Rogers once had a World Tennis Ranking in doubles higher than Wimbledon legend Bjorn Borg.

Liz Kershaw certainly doesn’t seem very happy that her Saturday show on BBC 6 Music has been dropped for the time being to accommodate a streamlined weekend schedule during the current crisis. She tweeted to her followers on Wednesday evening that the decision was ‘ not my choice. Was there for you guys.’ And when asked by one fan why she couldn’t do the show from home, she replied ‘Not given that option’. But we’re assured that both her and Amy Lamé will return, with the station tweeting ‘ we look forward to welcoming (them) back to the airwaves soon.’
Wondering how widespread the London lockdown is right now? Put it this way, click onto the iconic Abbey Road webcam here, and there’s barely anyone in sight. And certainly not packs of overseas tourists dodging the traffic on that famous zebra crossing, as would normally be the case in the spring sunshine.

One joyful trend over the past few days has been seeing various people heading into the lofts and attics and finding all sorts of music-related nonsense that they’ve then shared with us via social media. Gems that we’ve seen so far having included two faxed memos sent by Bernadette Russell, the ex-Picture Editor at Smash Hits magazine in the early ‘00s. The first, addressed to Andy at Falcon Cars, simply says ‘I would like to hire a white limousine for a shoot with Steps on Monday 6 August from midday to 4pm”, and the second, sent to Animal World in Buckinghamshire, is the two-line classic “I would like to order a dove and a snake for a shoot with Victoria Beckham on Friday 27 July 2001. Could you please be at the studio by 10am on that date ?” Those were the days, eh?

Another former Smash Hits contributor, the excellent Hannah Verdier, wrote a lovely piece here for The Guardian on how music radio’s tone has changed to reflect these troubled times in the past week, but how it’s been perfectly in-step with the nation’s mood as a result. It’s a nice, recommended read.

One unexpected re-emergence this week has been that of Andy Roberts, the former boss at Kiss UK, who left his role with station-owners Bauer last August, after more than 20 years there. Being the great music programmer that he is, he’s popped suddenly up on social media (we hadn’t heard a peep from him for almost eight months until now) with links to a whole bunch of new themed Spotify playlists that he’s put together, many with a cool dance edge of course. All named under the banner of Social DisDance, we particularly love his Old Skool All Day 10hr+ list, as well as the excellent Indie Bar one that includes Kasabian, The Fratellis, Arctic Monkeys and more. He’s knocked up a load of lists, with more on the way, by the look of things. We’re not sure if this is his way of angling for a gig with a major music streaming service, or if he’s already got one but can’t announce it yet. Or maybe he’s just bored at home like so many other people and keeping himself amused. Whatever the case, those music programming skills are certainly still as sharp as ever.

Everyone's experience of coronavirus will be different, and we sincerely hope you don't contract it. All we can offer is a couple of firsthand tips. From PS's experience so far, we found the headaches very tough to deal with, and paracetamol was little, but some help. There's no desire to drink coffee, but the withdrawal from that won't have helped. The lack of being able to taste anything was difficult, helped only by lime cordial. Soup and fruit was the only food that was eaten for several days. The breathlessness is, frankly, scary but there's nothing I found to help with that.
The NHS website has a list of questions to answer, but really, the only conclusion seems you just have to ride it out at home, unless you are really, really struggling. We wish you well.
Jessi Blue

LA based teenager Jessi Blue released their debut album last year, eleven tracks of bittersweet introspection, sweet harmonies and brazen honesty. Six months on from Lips Do What Hands Do landing and we’re still drawn back to it. Like diary entries from a lifetime ago, you wish you didn’t still recognise the sentiment in the present, but it’s there regardless - a whirlwind of contradiction throughout each song.

From Girl at Home (not a TSwift cover, but similar nonetheless) to Twilight Zone and Oranje Guice through to Frank Said , the official single and most popular so far via streaming.

“Lately I’ve been hanging out on my bathroom floor… hate living in my skin but maybe I like yours…”
We love the tone of their voice, its contrast with their storytelling, and that self-deprecating humour – used to disguise sadness behind darker decisions, often made when living and loving as someone who dislikes themselves. Lips Do What Hands Do isn’t a sad record though; it just doesn’t shy away from emotional honesty and humorous examination of the day to day.

There’s a new single coming at the end of March, so keep an eye on Twitter and Instagram, and grab the debut LP here.

Contact: jessisoblue@gmail.com
Wild Cat Strike

Mustard is the latest single from Brighton based four-piece Wild Cat Strike , a track we came across via our regular Bandcamp trawl last week and have played a bunch of times since. Mustard stands out a mile, with its singsong melody, throwback alt appeal and a vocal that feels familiar yet new and exciting at the same time. The band said:

“Mustard is a 2020 take on a 1950s waltz. We recorded at Echo Zoo, Eastbourne… the mixing desk once belonged to Tony Visconti , who had recorded David Bowie with it. We tracked in the room together to keep the feel of how we play it live, then overdubbed guitars and a sumptuous selection of 70s synths. Later we added vocal harmonies to give us that sea shanty singalong sound.”
With a fair few label mates on BVs (Bonniesongs and Natalie Evans, plus pals in Tall Ships and I Feel Fine), there’s a real group energy feel to the old school quiet / loud / quiet style. The DIY video is worth a watch too. New EP Mustard Coloured Years is due via Small Pond Records on April 17, you can pre-save it here, and be sure to check out the crowd funding update from Small Pond themselves – just one of the small but vital indie labels hit by the loss of income over the last few weeks. Mustard is a great track, already getting airplay via R1, RadioX and 6Music, with more to come we’re sure. Join them on FBInsta and Twitter – and grab their debut album too.

Contact: wildcatstrikeband@gmail.com
Signing News

Compass featured Matilda Mann has signed to Sony ATV.Compass featured Squid have signed to Warp.Reservoir announced the signing of two-time Grammy-nominated artist, songwriter and producer Joyner Lucas to a worldwide publishing deal.
Concord Music Publishing announced a worldwide exclusive co-publishing deal with Nashville-based multi-genre producer, songwriter and musician Andrew Petroff.
Concord Music Publishing has signed a global deal with multi-award-winning songwriter Richard ‘Biff’ Stannard.

Ones to watch:
Denise Chaila, HAN, The Lounge Society, Jessi Blue, ELIO, Freya Roy, The Hara, Amahla, The Dawdler, Jasmine Jethwa, Sadie’s Sloth, Oh Papa, Kay Greyson, SBK, Blackaby, Imogen, Great Dad, Pretty Sick.

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